Monday, May 15, 2017

Leonidas Kavakos - Virtuoso


Composer: Various
  1. Stravinsky - Danse russe, from Petrouchka (arr. Samuel Dushkin)
  2. Stravinsky - Chanson russe (arr. Samuel Dushkin)
  3. Sarasate - Caprice basque, Op. 24
  4. Sarasate - Romanza andaluza, No. 1 from Danzas españolas, Op. 22
  5. Tárrega - Recuerdos de la Alhambra (arr. Ruggiero Ricci)
  6. Falla - The Miller's Dance, from El sombrero de tres picos (arr. Joseph Szigeti)
  7. Paganini - Introduction and Variations on 'Nel cor più non mi sento', for solo violin
  8. Wieniawski - Capriccio-valse, Op. 7
  9. Strauss - Waltzes, from Der Rosenkavalier (arr. Váša Příhoda)
  10. Dohnányi - Gypsy Andante, No. 2 from Ruralia hungarica, Op. 32c
  11. Britten - Reveille
  12. Elgar - La capricieuse, Op. 17
  13. Tchaikovsky - Valse sentimentale, Op. 51, No. 6
  14. Paganini -  Variations on 'God Save the King', for solo violin
  15. Dvořák - Humoresque, Op. 101, No. 7 (arr. Fritz Kreisler)

Leonidas Kavakos, violin
Enrico Pace, piano

Date: 2016
Label: Decca


It’s not just the enticing morceaux on offer and the undiluted pleasure of hearing a great violinist at the top of his game (musically and technically). It’s Kavakos’s knack of treating the microphone as though it were a group of his close friends who have been invited round to his place. You are given the impression of eavesdropping on a pair of musicians having a real blast (Enrico Pace is the other – a marvellously attentive but far from self effacing accompanist). The programme is a collection of 15 end-of recital dazzlers (well, 14 – Britten’s odd Reveille falls outside the category of crowd-pleaser) of the kind that furnished violin recitals in the past before they became the hellish serious business they are today.

Stravinsky’s ‘Danse russe’ from Petrushka and soulful ‘Chanson russe’ (both given in the transcriptions by Samuel Dushkin) open proceedings and set the tone. The first glimpse of Kavakos’s fabulous agility comes at the end of Sarasate’s Caprice Basque but is emphatically underlined a few tracks further on with Paganini’s Introduction and Variations on ‘Nel cor più non mi sento’ from Paisello’s La molinara (the track before is de Falla’s ‘Danza del molinero’ – smart).

This is playing that sorts out the men from the boys. I doubt if there is more than a handful of violinists alive who can match Kavakos in the tonal variety, accuracy and speed of his harmonics, or in the deft alternation of bowing and left-hand pizzicato. In fact, I wonder if Paganini would have equalled him. Then there is the perfect evenness of moto perpetuo semiquavers in Recuerdos de la Alhambra – a remarkable feat at this speed, even if the violin begins to sound like a pesky mosquito disturbing one’s siesta rather than the soulful song it is on the guitar.

Elsewhere there is charm aplenty (Elgar’s La Capricieuse, Váša Příhoda’s arrangement of the waltzes from Der Rosenkavalier) and tender introspection (Tchaikovsky’s ‘Valse sentimentale’). And if you thought Dvořák’s ‘Humoresque’ was beyond parody, think again in this heart-wrenching rendition by Kavakos and Pace. You can almost see the smiles of affection on the faces of their imaginary audience – just as clearly as Kavakos’s mischievous twinkle when he dashes off Wieniawski’s Capriccio-valse, another delicious bon-bon we should hear more often. I can’t remember when I last enjoyed a violin recital quite as much as this. And it’s complemented by Tully Potter’s genial booklet and an ideal recorded balance between the two artists.

-- Jeremy Nicholas, Gramophone

More reviews:
MusicWeb International  RECORDING OF THE MONTH


Leonidas Kavakos (born 30 October 1967 in Athens) is a Greek violinist and conductor. Kavakos studied with Stelios Kafantaris at the Hellenic Conservatory and attended master classes with Josef Gingold at Indiana University. As a violinist, he has won prizes at several international violin competitions, including the Sibelius, Paganini, and Indianapolis competitions. He has also recorded for record labels such as Sony/BMG and BIS. As a conductor, he was an artistic director of the Camerata Salzburg and has been a guest conductor of the London Symphony Orchestra and Boston Symphony Orchestra. Kavakos has been playing the "Abergavenny" Stradivarius of 1724 since 2010.


FLAC, tracks
Links in comment


  1. Copy Adfly ( or LinkShrink ( to your browser's address bar, wait 5 seconds, then click on 'Skip [This] Ad' (or 'Continue') (yellow button, top right).
    If Adfly or LinkShrink ask you to download anything, IGNORE them, only download from file hosting site (
    If you encounter 'Bandwidth Limit Exceeded' problem, try to create a free account on MEGA.


  2. Mega not available!

    1. I downloaded the file without any problem. Maybe you can try again later?