Maurice Ravel - Piano Works (Jean-Efflam Bavouzet)

Information

Composer: Maurice Ravel

CD1:

• (01-03) Gaspard de la nuit
• (04) Jeux d'eau
• (05-07) Sonatine in F sharp minor
• (08-12) Miroirs

CD2:

• (01-06) Le tombeau de Couperin
• (07) Prélude
• (08) Sérénade grotesse
• (09) A la manière de...: 1. A la manière de Borodine (Valse)
• (10) A la manière de...: 2. A la manière de Chabrier (Paraprhase sur un air de Gounod)
• (11) Menuet antique
• (12) Menue sur le nom de Haydn 
• (13-20) Valses nobles et sentimentales
• (21) Pavane pour une infante défunte

Jean-Efflam Bavouzet, piano
Date: 2003
Label: MDG

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Review

ARTISTIC QUALITY: 10 / SOUND QUALITY: 9

The late Arturo Benedetti Michelangeli allegedly claimed that no piano in the world was good enough for Ravel’s Gaspard de la nuit. Obviously he didn’t live to hear the vintage 1901 Steinway grand used in Jean-Efflam Bavouzet’s complete Ravel cycle for MDG. Timbre is hard to describe in words, but I’d compare this instrument to a modern American Steinway model much as I’d compare a handcarved oakwood table to a factory-made Formica copy. More importantly, Bavouzet is a superbly equipped virtuoso who puts the music first. Local color, rubato fancies, and similar interpretive touches organically arise from what the score tells Bavouzet, not the other way around. You hear everything in Valses nobles et sentimentales except for a pianist intentionally striving for this or that effect (as in Ivo Pogorelich’s recording). Bavouzet takes special care to articulate, shape, and give meaning to the rotary patterns that permeate the outer movements of Gaspard de la nuit and the Sonatine, and he projects the linear trajectory of the central movements more cogently than most pianists.

Similar revelations occur in Miroirs: there’s more going on in Noctuelles than your standard misty-eyed, “atmosphere”-oriented interpretations suggest. Une barque sur l’océan’s terraced dynamics are flawlessly observed, and Alborada del gracioso is deliciously brisk and pointed. Listen to Bavouzet’s subtle voicings and canny accents in Le Tombeau de Couperin’s Prelude and you’ll imagine two pianists on two separate vintage Steinways. Following the tenderly spun Fugue, the Forlane seems a shade brusque and flippant (Rubinstein’s sexy glow comes closer to the mark), but these qualities certainly liven up the Rigaudon–and what a light, crisp, rhythmically dead-center Toccata Bavouzet tosses off! He nails just the right tempo for Jeux d’eau and the Pavane, takes a more leisurely stroll than most through the little Prélude, and brings a specific character to each of the other small works.

The engineering may not match the warmth and immediacy of Alexandre Tharaud’s Harmonia Mundi Ravel cycle, or Angela Hewitt’s for Hyperion. And listeners who’d prefer a suaver, less idiosyncratic concert grand may find Abbey Simon (Vox), Jean-Yves Thibaudet (Decca), or Louis Lortie (Chandos) to be safer recommendations. Yet Jean-Efflam Bavouzet’s individual, intelligent, and accomplished Ravel interpretations shed a fresh and hopefully lasting light on this timeless repertoire.

-- Jed Distler, ClassicsToday

More reviews:
http://www.musicweb-international.com/classrev/2003/Dec03/Ravel_piano_Bavouzet.htm
http://www.amazon.com/Ravel-Complete-Piano-Works-Maurice/dp/B0000C4EXA

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Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with impressionism along with Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Among his works to enter the repertoire are pieces for piano, chamber music, two piano concertos, ballet music, two operas, and eight song cycles. His best known works include Boléro (1928), Gaspard de la nuit (1908), Daphnis et Chloé (1912). Ravel was also an exceptionally skilled orchestrator.
http://en.wikipedia.org/wiki/Maurice_Ravel

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Jean-Efflam Bavouzet (born 1962 in Lannion, France) is a French classical pianist. Grew up in Metz, he started his music studies there, encountering such luminaries as Iannis Xenakis, Olivier Messiaen, Karlheinz Stockhausen and Pierre Boulez. Moving to the Conservatoire de Paris, he studied under Pierre Sancan, among others. He also had private lessons with Georg Solti. although never performed in public. His recordings for Chandos have received several Gramophone Awards, and numerous other awards, including the BBC Music Magazine Award, the Choc de la Musique and the Diapason d'Or.
https://en.wikipedia.org/wiki/Jean-Efflam_Bavouzet

http://www.bavouzet.com/

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