Rodion Shchedrin - Carmen Suite; Concertos for Orchestra Nos. 1 & 2 (Mikhail Pletnev)

Information

Composer: Rodion Shchedrin

• (01-13) "Carmen" Suite (after Bizet)
• (14) Concerto for Orchestra No. 1 "Naughty Limericks"
• (15) Concerto for Orchestra No. 2 "The Chimes"

Russian National Orchestra
Mikhail Pletnev, conductor

Date: 2001
Label: Deutsche Grammophon
http://www.deutschegrammophon.com/en/cat/4711362

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Review

A ‘hi­fi spectacular’ with impact‚ even if most of the music is more clever than meaningful

By coincidence‚ just before hearing this disc I chanced upon Stan Kenton’s all­Wagner LP from the 1960s (STO2217). ‘File under jazz’ says Capitol’s spine‚ but Kenton’s evocative handling of Tristan’s Prelude is anything but ‘jazzed up’. In fact‚ if you take the OED’s secondary definition of jazz as ‘fantastic designs or vivid patterns’‚ Rodion Shchedrin’s 1967 Carmen Suite is a lot more jazzy than Kenton’s contemporaneous Tristan. It’s also brash‚ gimmicky and more obviously out for effect. And yet the formula sort­of works: strings (here spatially divided) and percussion shuffling hot­foot through some of Bizet’s best tunes.

The Introduction becomes a door chime of the ‘Habanera’‚ the ‘Boléro’ is L’Arlésienne’s ‘Farandole’ (truncated to fit a minute) and ‘Toréador’ brilliantly dispatches the skeleton of Bizet’s original among the pizzicatos‚ without quoting the top line. The eerie scene between the Toreador and Carmen – here Shchedrin’s transcription really does sound very Russian – is based on music from The Fair Maid of Perth‚ but brace your ears for the clatter of bells that follows with the Adagio. You also get the Card Scene‚ the Flower Song and the finale‚ which in this extremely dynamic new recording under Mikhail Pletnev makes a more dramatic impression than Gennady Rozhdestvensky’s good old Melodiya recording. The tempo is brisker‚ and the string choirs clearer‚ but elsewhere Rozhdestvensky’s performance has marginally more ‘umph’. It’s still the most exciting Shchedrin/Bizet on disc‚ though sound­wise‚ this latest recording presents the fuller sound frame.

The fill­ups are fun‚ or at least the ‘Naughty Limericks’ (or ‘Merry Ditties’ as they were once known here) are‚ pure slapstick‚ with rasping trombones and squeeze­box rhythms. The last version I heard was Leonard Bernstein’s in the New York Philharmonic’s newest bumper collection‚ a marvellous performance‚ but Pletnev’s dryer manner also works well. ‘The Chimes’ is less fervid than on Svetlanov’s famous live Melodiya account‚ where the ringing is wilder‚ but the closing pages are very atmospheric.

DG’s recordings (Moscow State Conservatory‚ spring 1998) are more obviously staged for the ‘hi­fi’ market than other Pletnev/Russian National Orchestra recordings from the same stable – especially in Carmen – but the engineering certainly suits the music. It’s worth a spin‚ but to my ears it all sounds terribly dated‚ a bit like one of those flashback TV shows that home in on some random decade from your distant past. The tricks don’t wear terribly well‚ and you can’t say that of Stan Kenton.

-- Gramophone

More reviews:
ClassicsToday  ARTISTIC QUALITY: 9 / SOUND QUALITY: 9
http://www.bbc.co.uk/music/reviews/v8cz/
http://www.musicweb-international.com/classrev/2002/Jan02/Schedrin.htm
http://www.classical.net/music/recs/reviews/d/dgg71136a.php
https://www.amazon.co.uk/Shchedrin-Carmen-Naughty-Limericks-Chimes/dp/B00005KBJR
https://www.amazon.com/Shchedrin-Concertos-Orchestra-Naughty-Limericks/dp/B00005KBJR

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Rodion Shchedrin (born 16 December 1932 in Moscow) is a Russian composer and pianist. He is also a citizen of Lithuania and Spain. Shchedrin studied at the Moscow Choral School and Moscow Conservatory under Yuri Shaporin and Yakov Flier. Shchedrin's early music is tonal, colourfully orchestrated and often includes snatches of folk music, while some later pieces use aleatoric and serial techniques. In the west the music of Shchedrin has won popularity mainly through the work of Mstislav Rostropovich who has made several successful recordings. Shchedrin is a virtuoso pianist and organist.
https://en.wikipedia.org/wiki/Rodion_Shchedrin

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Mikhail Pletnev (born 14 April 1957) is a Russian concert pianist, conductor, and composer. In 1974, he entered the Moscow Conservatory, studying under Yakov Flier and Lev Vlassenko. At age 21, he won the Gold Medal at the VI International Tchaikovsky Competition in 1978. His piano repertoire is extensive and includes The Seasons, many Scarlatti sonatas, Pictures at an Exhibition, etc. He found Russian National Orchestra in 1990, the first non-government-supported orchestra in Russia since 1917. Pletnev has made a number of recordings with Deutsche Grammophon, Pentatone and Melodiya.
https://en.wikipedia.org/wiki/Mikhail_Pletnev

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