Richard Strauss - Opera Suites (Manfred Honeck)

Information

Composer: Richard Strauss

1. Elektra, suite from the opera
2. Der Rosenkavalier, suite from the opera

Pittsburgh Symphony Orchestra
Manfred Honeck, conductor

Date: 2016
Label: Reference Recordings
https://referencerecordings.com/recording/strauss-elektrader-rosenkavalier/

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Review

ARTISTIC QUALITY: 10 / SOUND QUALITY: 10

This is juicy. I’m sure that many music lovers have wished that Strauss had made a suite from Elektra. It is, after all, one of his most exciting scores, as well as one of his most symphonically cogent. Well, here it is, courtesy of Manfred Honeck and Tomas Ille, and it’s a doozy. You get all of the major bits: Elektra’s opening monologue, the entry of Klytaemnestra, the recognition scene, the two murders, and of course the final dance of death. It lasts 33 minutes, or a bit more than a quarter of the entire opera, which makes it the same length as Also sprach Zarathustra or one of the larger tone poems.

The piece is remarkably cogent. It plays continuously, and Honeck/Ille felt no obligation to stick slavishly to the order of events in the opera. Rather, they have contrived an effective sequence of violent and more lyrical episodes, with remarkably seamless transitions. The entrance of Klytaemnestra, for example, does not spill over into her actual opening lines (sound clip). Strauss’ original works well in the theater where the change of focus from the orchestra to the singer explains the sudden break in texture; here, however, the music flows on without a break. Honeck explains that he has also reduced the orchestra slightly to make the suite more playable by normal-sized orchestras, but you’d hardly know it. There is absolutely no reason why this arrangement should not become a repertory item forthwith–only it would be hard to imagine a performance played more brilliantly than this one.

The Rosenkavalier Suite is the standard one, by Artur Rodzinsky, and it too sounds glorious on this smashingly recorded disc. Coupling the two works makes great sense: you get Strauss at his most expressionistic, and then Strauss in all of his schmaltzy, neoclassical splendor. Although the sound and style are quite different between the two works, Strauss’ fingerprints are always in evidence. I don’t need to say anything more: if a disc like this is not self-recommending, then I don’t know what is.

-- David Hurwitz, ClassicsToday

More reviews:
https://www.gramophone.co.uk/review/strauss-elektra-rosenkavalier-suites
http://www.musicweb-international.com/classrev/2016/Nov/Strauss_suites_FR722.htm
http://www.classical.net/music/recs/reviews/r/ref00772a.php
https://www.limelightmagazine.com.au/reviews/strauss-orchestral-suites-pittsburgh-symphony-orchestramanfred-honeck/
http://www.audaud.com/r-strauss-suite-from-elektra-suite-from-der-rosenkavalier-arr-rodzinski-pittsburgh-so-manfred-honeck-reference-recordings-fresh/
https://www.allmusic.com/album/strauss-elektra-rosenkavalier-mw0002986804
https://www.amazon.com/Strauss-Elektra-Rosenkavalier-Suites-Live/dp/B01M8L205B

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Richard Strauss (11 June 1864 – 8 September 1949) was a leading German composer of the late Romantic and early modern eras. He is known for his operas, lieder, tone poems and other orchestral works. Strauss was also a prominent conductor throughout Germany and Austria, enjoying quasi-celebrity status as his compositions became standards of orchestral and operatic repertoire. Strauss made a large number of recordings, both of his own music as well as music by German and Austrian composers. Along with Gustav Mahler, Strauss represents the late flowering of German Romanticism after Richard Wagner.
https://en.wikipedia.org/wiki/Richard_Strauss

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Manfred Honeck (born 17 September 1958, in Nenzing) is an Austrian conductor. His brothers is the Vienna Philharmonic leader Rainer Honeck. He attended the Academy of Music in Vienna, and then became a musician in the Vienna Philharmonic and the Vienna State Opera Orchestra. Honeck was Music Director of the Swedish Radio Symphony Orchestra (2000-2006) and Generalmusikdirektor of the Staatsoper Stuttgart (2007-2011). Honeck is the ninth music director of the Pittsburgh Symphony Orchestra (since 2008). He and the PSO have recorded for  Octavia (Exton) label and Reference Recordings.
https://en.wikipedia.org/wiki/Manfred_Honeck

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