César Franck; Ernest Chausson - Violin Sonata; Concert (Isabelle Faust; Alexander Melnikov)

Information

Composer: César Franck; Ernest Chausson

• (01) Franck - Sonate pour piano et violon en la majeur
• (05) Chausson - Concert pour piano, violon et quatuor à cordes en ré majeur, Op. 21

Isabelle Faust, violin
Alexander Melnikov, piano
Salagon Quartet
Christine Busch. violin
Lisa Immer, violin
Sebastian Wohlfarth, viola
Gesine Queyras, cello

Date: 2017
Label: Harmonia Mundi
http://www.harmoniamundi.com/#!/albums/2247

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Review

Chausson’s Concert for violin, piano and string quartet is chamber music, of course, yet displays a symphonic character that justifies the title. Some performances, such as the superb Decca recording by Pierre Amoyal, Pascal Rogé and the Ysaÿe Quartet, underscore the work’s quasi-orchestral heft; others, like the classic Columbia account by Zino Francescatti, Robert Casadesus and the Guilet Quartet, present a more intimate view. In this dazzling new version, Isabelle Faust, Alexander Melnikov and the Salagon Quartet seem to be staking out a middle ground.

Faust and the quartet use vibrato rather sparingly, which clarifies the often intricate texture and creates a luminosity that, while lacking in bite and body, conjures and maintains a spellbinding, moonlit atmosphere. Note, for example, the pearlescent opacity of the passage at 6'26" in the first movement, and the almost spectral quality at the beginning of the finale – worlds away from the playful (yet equally magical) reading by Francescatti, Casadesus et al. Yet there’s no lack of drama. Indeed, Faust, Melnikov and the Salagon frequently bring Chausson’s fascination with Wagner to the fore and even anticipate the languorous sensuality of Scriabin (listen from 4'35" in the first movement), thanks in large part to Melnikov’s judicious phrasing.

Franck’s Violin Sonata is equally impressive. Here, again, Faust uses vibrato prudently, and in general finds intense expressivity in restraint and emotional directness. Pianissimo passages beckon in secretive, confessional whispers, and the sometimes blunt rhetoric of Franck’s style is allowed to speak for itself without overemphasis or apology. The electricity of the third-movement Recitativo-Fantasia, for instance, is conveyed not with bold gestures but through quiet, sustained tension, so that even the most sparsely textured passage keeps one on the seat’s edge. Melnikov’s tone can harden in loud passages, but this may be partly the fault of the engineering, which is pleasingly resonant yet also strangely muffled. In any case, the interpretations are so committed and forthright that any occasional sonic blemish is only momentarily distracting. The Decca recording with Amoyal and Rogé offers the same coupling in better sound but seems overwrought in comparison. Those looking for greater passion and tonal warmth in this repertoire are urged to hear a recent Aparté release with Rachel Kolly d’Alba, Christian Chamorel and the Chicago-based Spektral Quartet.

-- Andrew Farach-Colton, Gramophone

More reviews:
https://www.classicstoday.com/review/fausts-franck-chausson-intimate-merely-timid/
https://www.audaud.com/franck-violin-sonata-chausson-concert-for-piano-violin-and-string-quartet-isabelle-faust-vln-alexander-melnikov-p-salagon-quartet-hmm/
https://www.allmusic.com/album/c%C3%A9sar-franck-sonate-pour-piano-et-violon-ernest-chausson-concert-mw0003053290
https://www.ft.com/content/105c1e12-390f-11e7-ac89-b01cc67cfeec
https://www.limelightmagazine.com.au/reviews/franck-%E2%80%A2-chausson-violin-sonata-concert-isabelle-faust-alexander-melnikov-salagon-quartet/
https://www.irishtimes.com/culture/music/album-reviews/franck-violin-sonata-chausson-concert-album-review-1.3076641

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César Franck (10 December 1822 – 8 November 1890) was a composer, pianist, organist, and music teacher who worked in Paris during his adult life. As an organist he was particularly noted for his skill in improvisation. Franck is considered by many the greatest composer of organ music after Bach. Franck exerted a significant influence on music. He helped to renew and reinvigorate chamber music and developed the use of cyclic form. He became professor at the Paris Conservatoire in 1872, his pupils included Vincent d'Indy, Ernest Chausson, Louis Vierne, Charles Tournemire, Guillaume Lekeu and Henri Duparc.
http://en.wikipedia.org/wiki/C%C3%A9sar_Franck

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Ernest Chausson (20 January 1855 – 10 June 1899) was a French romantic composer who died just as his career was beginning to flourish. He studied with Jules Massenet at the Paris Conservatoire, and  also with César Franck, with whom he formed a close friendship. When only 44 years old, Chausson died of a freak bicycle accident and left behind only 39 opus-numbered pieces. Chausson's work is deeply individual. The quality and originality of his compositions are consistently high, and several of his works continue to make occasional appearances on programs of leading singers, chamber music ensembles and orchestras.
http://en.wikipedia.org/wiki/Ernest_Chausson

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Isabelle Faust (born 1972 in Esslingen) is a German violinist. She trained with Christoph Poppen and Dénes Zsigmondy. Faust won First Prize in the 1993 Paganini Competition in Genoa, Italy. Since 1996, she has performed on the "Sleeping Beauty" Stradivarius violin of 1704, on loan from Landesbank Baden-Württemberg. Faust has performed as guest soloist with most of the world's major orchestras and won multiple awards for her recordings, mostly on Harmonia Mundi. She is a proponent of new music and has given world premieres of works by, among others, Olivier Messiaen, Werner Egk, and Jörg Widmann.
https://en.wikipedia.org/wiki/Isabelle_Faust

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Alexander Melnikov (born 1973) is a Russian pianist. He graduated from the Moscow Conservatory under Lev Naumov. Melnikov developed an interest in historically-informed performance practice at an early age, and performs regularly with period ensembles. As a soloist, Melnikov has performed with orchestras such as the Royal Concertgebouw, Gewandhausorchester Leipzig, and the Philadelphia Orchestra. Melnikov's discography on Harmonia Mundi features works by Weber, Beethoven, Schubert, Schumann, Brahms, Dvorak, Rachmaninov, Hindemith, Scriabin, Prokofiev and Shostakovich.

https://en.wikipedia.org/wiki/Alexander_Melnikov_(pianist)

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