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Tuesday, April 30, 2019

Felix Mendelssohn - Piano Trios (Julia Fischer; Daniel Müller-Schott; Jonathan Gilad)


Information

Composer: Felix Mendelssohn
  1. (01) Piano Trio No. 1 in D minor, Op. 49
  2. (05) Piano Trio No. 2 in C minor, Op. 66

Julia Fischer, violin
Daniel Müller-Schott, cello
Jonathan Gilad, piano
Date: 2006
Label: Pentatone
http://www.pentatonemusic.com/mendelssohn-piano-trios-fischer-muller-schott-gilad

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Review

Chamber music with star players doesn’t always work: lack of rehearsal time or oversized egos can often lead to performances high on surface glitz but low on understanding. Not here though: these young artists, already making waves in their individual careers, give us a recording of Mendelssohn’s delectable piano trios that sparkles and fizzes from the outset.

The opening of the D minor Trio No 1 is a touch simpler than the Florestan’s recent acclaimed reading but its urgency sweeps you along. They are particularly fine in the scherzi of both trios, with delightful portamenti in the D minor which seem to say “look how easy this is”. In the finale, the new trio set off at a dancing pace; the Florestan are a touch steadier, which makes for an even more explosive contrast as the movement hots up.

The C minor Trio has long lived in the shadow of the D minor. It’s darker, slower to reveal its secrets. The new version fully captures its ruggedness, the way that melodies are hewn from the musical material, rather than simply emerging complete as in No 1. The only real quibble is their spacious tempo for the second movement, a Venetian gondola song in all but name. It’s played with great tenderness but does seem rather over-extended. And in the finale the 1960s-vintage Beaux Arts Trio are more characterful. But all in all, this new recording is irresistible, with the three players caught in a wholly natural ambience. It’s always a good sign when you don’t want to stop playing a disc long enough to write about it.

-- Harriet SmithGramophone

More reviews:
ClassicsToday  ARTISTIC QUALITY: 8 / SOUND QUALITY: 9

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Felix Mendelssohn (3 February 1809 – 4 November 1847) was a German composer, pianist, organist and conductor of the early Romantic period. He was among the most popular composers of the Romantic era. Like Mozart, he was recognized early as a musical prodigy. Mendelssohn enjoyed success in Germany, where he revived interest in the music of Johann Sebastian Bach, and in his travels throughout Europe, particularly in Britain, where he visited ten times. His essentially conservative musical tastes, however, set him apart from many of his more adventurous musical contemporaries.
https://en.wikipedia.org/wiki/Felix_Mendelssohn

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Julia Fischer (born 15 June 1983 in Munich) is a German classical violinist and pianist. She studied with Lydia Dubrowskaya at the Leopold Mozart Conservatory in Augsburg and Ana Chumachenco at the Munich Academy of Music. Her active repertoire spans from Bach and Vivaldi to Penderecki and Shostakovich, containing over 40 works with orchestra and about 60 works of chamber music. On 1 January 2008, Fischer had her public debut as a pianist, performing Edvard Grieg's Piano Concerto. Currently, she plays on a Guadagnini 1742 purchased in May 2004, and a violin by Philipp Augustin.
https://en.wikipedia.org/wiki/Julia_Fischer
http://www.juliafischer.com/index.php/en/

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Daniel Müller-Schott (born 1976 in Munich, Germany) is a German cellist. He studied with Walter Nothas, Heinrich Schiff, Steven Isserlis and had one year studying with Mstislav Rostropovich. Aged 15, he aroused enthusiasm by winning the first prize in the International Tchaikovsky Competition for young musicians in Moskow in 1992. Müller-Schott has already built up a sizeable discography under the ORFEO, Deutsche Grammophon, Hyperion, Pentatone and EMI Classics labels, collaborated with artists such as Anne-Sophie Mutter and Angela Hewitt. He plays a cello by Matteo Goffriller, Venice, 1727.
https://en.wikipedia.org/wiki/Daniel_M%C3%BCller-Schott

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    1. booklet
      https://www.chandos.net/chanimages/Booklets/PT6085.pdf

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