Information
- George Butterworth - Loveliest of Trees
- Ivor Gurney - Black Stitchel
- Arthur Somervell - On the Idle Hill of Summer
- George Butterworth - Look Not Into My Eyes
- Gustav Mahler - Wo die Schoenen Trompeten Blasen
- Gabriel Fauré - Les Berceaux
- Charles Ives - He is There!
- Arthur Somervell - White in the Moon
- Ivor Gurney - Severn Meadows
- Gustav Mahler - Revelge
- Modest Mussorgsky - The Field-Marshall
- Ivor Gurney - In Flanders
- Arthur Somervell - Think no More, Lad
- Robert Schumann - Die beiden Grenadiere
- Hugo Wolf - Der Tambour
- Robert Schumann - Der Soldat
- Gerald Finzi - Channel Firing
- Arthur Somervell - Into my Heart an air that kills
- George Butterworth - When I Was One and Twenty
- George Butterworth - The Lads in Their Hundreds
- George Butterworth - Is My Team Ploughing?
- Francis Poulenc - Lune d'Avril
- John Ireland - In Boyhood
Christopher Maltman, baritone
Joseph Middleton, piano
Date: 2020
Label: Signum Classics
https://signumrecords.com/product/the-soldier-from-severn-to-somme/SIGCD592/
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A year after Ian Bostridge’s ‘Requiem: The Pity of War’ (11/18), here comes another British singer with a moving commemorative song programme. Both Bostridge and Christopher Maltman feature George Butterworth’s A Shropshire Lad but the baritone dots his selection of five of them around a programme that he imaginatively splits into four parts, not by composer (as Bostridge does) but according to stations in a typical soldier’s life.
The programme is rooted in English song, where Maltman has proved so at home ever since the release of his debut album two decades ago, but he shows his versatility by including songs in three additional languages (not to mention a burley American accent for Ives’s ‘He is there!’). The project’s long gestation, explained in a personal note by the baritone, can be heard in every bar: it’s a selection that has been honed over the years.
It takes us on a fascinating, moving journey through the early idylls of ‘Home’, the bitter horrors of ‘Journey’ and ‘Battle’ to the heartbreaking ‘Epitaph’. The latter concludes with Poulenc’s exquisite ‘Lune d’avril’. Ireland’s tender ‘In boyhood’, included as an encore, tries to return us to lost innocence.
Maltman’s baritone is impressive and authoritative, and he’s a sensitive, natural communicator who brings a directness to the songs’ many emotions. It’s never been a honeyed voice, and his recent expansion into larger operatic repertoire has, it seems, led to a greater spread in the higher register and at lower volumes, but the sincerity and integrity of his performances are compelling.
For his part, Joseph Middleton is superb in conveying all the worlds conjured up by some demanding piano-writing: from those delicately portrayed English landscapes to the thump of drum and artillery, Mussorgsky’s bloody battlefield, Mahler’s biting cold irony and Ives’s twiddly Yankee-doodling. It all adds up to an affecting, intelligent recital that’s well worth seeking out.
-- Hugo Shirley, Gramophone
More reviews:
http://www.musicweb-international.com/classrev/2019/Dec/Soldier_SIGCD592.htm
https://www.limelightmagazine.com.au/reviews/the-soldier-from-severn-to-somme-christopher-maltman-joseph-middleton/
The programme is rooted in English song, where Maltman has proved so at home ever since the release of his debut album two decades ago, but he shows his versatility by including songs in three additional languages (not to mention a burley American accent for Ives’s ‘He is there!’). The project’s long gestation, explained in a personal note by the baritone, can be heard in every bar: it’s a selection that has been honed over the years.
It takes us on a fascinating, moving journey through the early idylls of ‘Home’, the bitter horrors of ‘Journey’ and ‘Battle’ to the heartbreaking ‘Epitaph’. The latter concludes with Poulenc’s exquisite ‘Lune d’avril’. Ireland’s tender ‘In boyhood’, included as an encore, tries to return us to lost innocence.
Maltman’s baritone is impressive and authoritative, and he’s a sensitive, natural communicator who brings a directness to the songs’ many emotions. It’s never been a honeyed voice, and his recent expansion into larger operatic repertoire has, it seems, led to a greater spread in the higher register and at lower volumes, but the sincerity and integrity of his performances are compelling.
For his part, Joseph Middleton is superb in conveying all the worlds conjured up by some demanding piano-writing: from those delicately portrayed English landscapes to the thump of drum and artillery, Mussorgsky’s bloody battlefield, Mahler’s biting cold irony and Ives’s twiddly Yankee-doodling. It all adds up to an affecting, intelligent recital that’s well worth seeking out.
-- Hugo Shirley, Gramophone
More reviews:
http://www.musicweb-international.com/classrev/2019/Dec/Soldier_SIGCD592.htm
https://www.limelightmagazine.com.au/reviews/the-soldier-from-severn-to-somme-christopher-maltman-joseph-middleton/
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Christopher Maltman is a British operatic baritone. He was born in Cleethorpes and studied music at the Royal Academy of Music. While a student he won the Great Elm Festival Vocal Award as well as the Anna Instone Award, then curated by Capital Radio. In 1997 he received the Lieder Prize at the BBC Cardiff Singer of the World Competition. He made his debut with The Royal Opera in 1997 and has since sung over fifteen principle roles there. Maltman currently enjoys an international career in the great opera houses of Europe and North America specialising in Italian dramatic baritone repertoire.
https://en.wikipedia.org/wiki/Christopher_Maltman
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Joseph Middleton (born 10 January 1981) is a British classical pianist and lied accompanist. He studied at the Royal Academy of Music with Malcolm Martineau and Michael Dussek and won all the Academy's piano accompaniment awards. Middleton holds the post of Musician in Residence at Pembroke College, Cambridge and is Director of Leeds Lieder. Best known for accompanying singers and for his programming flair, he has played in music centres across the world. His recordings on Harmonia Mundi, Chandos, BIS and Signum has won numerous nominations for Gramophone and BBC Music Magazine Awards.
https://en.wikipedia.org/wiki/Joseph_Middleton
https://josephmiddleton.com/
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https://en.wikipedia.org/wiki/Christopher_Maltman
***
Joseph Middleton (born 10 January 1981) is a British classical pianist and lied accompanist. He studied at the Royal Academy of Music with Malcolm Martineau and Michael Dussek and won all the Academy's piano accompaniment awards. Middleton holds the post of Musician in Residence at Pembroke College, Cambridge and is Director of Leeds Lieder. Best known for accompanying singers and for his programming flair, he has played in music centres across the world. His recordings on Harmonia Mundi, Chandos, BIS and Signum has won numerous nominations for Gramophone and BBC Music Magazine Awards.
https://en.wikipedia.org/wiki/Joseph_Middleton
https://josephmiddleton.com/
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