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Thursday, December 31, 2020

Franz Krommer - Symphonies Nos. 4, 5, & 7 (Howard Griffiths)


Information

Composer: Franz Krommer
  • (01) Symphony No. 4 in C minor, Op. 102
  • (05) Symphony No. 5 in E flat major, Op. 105
  • (09) Symphony No. 7 in G minor, Padrta I:7

Orchestra della Svizzera Italiana
Howard Griffiths, conductor

Date: 2017
Label: cpo

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Review

ARTISTIC QUALITY: 10 / SOUND QUALITY: 10

Franz Krommer (1759-1831) was a first rate composer. As you can see, he was three years younger than Mozart, and outlived both Beethoven and Schubert. During that time, he wrote hundreds of instrumental works: chamber music, concertos, nine symphonies (No. 8 is missing), and the wind ensemble music on which his reputation now largely rests. Interestingly, he composed almost no vocal music. The quality of his output is very high: he really sounds like the natural successor to Haydn in many respects. His symphonies are almost exactly contemporary with Beethoven’s, and rather than sounding conservative or reactionary, we can hear them as part of an evolving tradition–different but not necessarily inferior.

Krommer’s idiom evolved as he aged. These three symphonies date from the 1820s, and reveal a composer moving comfortably within the classical style (of which he was a charter member, let’s not forget), but extending its expressive range through vivid orchestration and an expanded harmonic vocabulary. In its rhythms and frequent alternation between major and minor modes, his music also sounds recognizably Czech. Consider the dance movements in each of these three symphonies. Although he calls them “Menuetto,” they are true scherzos (sound clip), full of harmonic and rhythmic audacities. You won’t find Beethoven’s bigness of vision here, but then you don’t find that anywhere else either. In all other respects, these are outstandingly fine works.

The symphonies have been recorded previously (most of them, anyway), but these versions from Howard Griffiths are exemplary in their stylishness and alertness to every nuance that Krommer asks for. The findings of the period instrument movement manifest in the generally swift tempos and incisive accents, but this never becomes a fetish. Excellent engineering makes this release utterly irresistible. We badly need a systematic critical edition of Krommer’s works, accompanied by a wide ranging series of recordings. In the meantime, grab this and marvel.

-- David Hurwitz, ClassicsToday

More reviews:

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Franz Krommer (27 November 1759 in Kamenice u Jihlavy – 8 January 1831 in Vienna) was a Czech violinist and composer of classical music. He was a violinist in the orchestra of the duke of Styria, and Maestro di Cappella for Duke Ignaz Fuchs, before succeeding Leopold Kozeluch as composer for the Imperial Court of Austria (from 1813 until his death in 1831). Krommer's output was prolific, with at least 300 published compositions in at least 110 opus numbers, including at least 9 symphonies, 70 string quartets, 15 string quintets, and many works for wind ensemble, for which he is best known today.

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Howard Griffiths (born 24 February 1950 in Hastings) is a British conductor. Griffiths studied music at the Royal College of Music, London, and has lived in Switzerland since 1981. He was Artistic Director and Principal Conductor of the Zurich Chamber Orchestra from 1996 to 2006. Since the season 2007/08, he is General Music Director of the Brandenburgisches Staatsorchester, and has also appeared as a guest conductor with many leading orchestras all over the world. Griffiths has a broad repertoire, with about 100 CD recordings with various labels (including Warner, Universal, cpo, Sony and Koch).
https://en.wikipedia.org/wiki/Howard_Griffiths_(conductor)

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5 comments:

  1. This comment has been removed by the author.

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  2. Krommer is new to me. Thanks very much!

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