Alexander Arutiunian - Complete Piano Works (Hayk Melikyan)

Information

Composer: Alexander Arutiunian

• (01) Armenian Dance
• (02) Pastoral 
• (03) Theme and Variations
• (04) 3 Preludes
• (07) Prelude-Poem
• (08) Polyphonic Sonata
• (11) Humoresque
• (12) 3 Musical Pictures
• (15) Sonatina
• (18) 6 Moods
• (24) Album for Children

Hayk Melikyan, piano
Date: 2017
Label: Grand Piano
https://grandpianorecords.com/Album/AlbumDetails/GP718

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Review

Grand Piano have plied a strong Armenian line. The pianist Hayk Melikyan did the same service for Babdjanian while Abramian and Bagdasarian were well served by Mikael Ayrapetyan. They now turn their attention to Arutiunian, a composer better known for his concertos and especially the world travelling First Trumpet Concerto. Born in Yerevan he studied there and at the age of seven played for Alexander Spendiarian (1871-1928). At the Moscow Conservatory his teachers included symphonist Nikolai Peiko. The variety and extent of his output for instrument and orchestra vies with that of Malcolm Arnold and includes works for piano, flute, violin, trombone and tuba. There are no fewer than four works for trumpet and orchestra. Add to these a three-act opera, Sayat-Nova, two avowedly patriotic works on a grand scale (Cantata about the Motherland, 1948 and from 1960 A Legend about the Armenian People), an Armenian Fantasy for pops band written jointly with Konstantin Orbelyan and a 1957 Symphony in four movements, dedicated to Arutiunian's wife. The single symphonies written by Orbelyan (1962) and Arutiunian (1957) would likely make a fascinating coupling.

The music on the present disc is sequenced chronologically. Armenian Dance is equable, controlled yet exotic; likewise the Pastoral is a cool and gentle evocation. The Theme and Variations would couple well with John Ireland's piano music of the 1930s. The Three Preludes and the Prelude-poem written within a five year period show the composer extending his expressive wings. The style is now more romantic yet always on a taut leash. The second Prelude has a nationalistic accent and a touch of Rimsky about it. The final Prelude rears up in momentary majesty before a flickering exoticism lights up the landscape. The isolated Prelude-poem is dedicated to Arutiunian's piano teacher Konstantin Igumnov (1873-1948). The romantic flame that warms the Preludes is here permitted a freer rein. The composer's style makes the closest contact with Rachmaninov who died, persona non grata in the Soviet world, in the year this was written. The just post-war Polyphonic Sonata proclaims the composer's Bachian allegiance but moderates it with the tang of dissonance. It's a work of crafted and hugely resounding clarity. The next year his Humoresque shows he can be more unbuttoned. By 1963 his Three Musical Pictures speak of an alliance between his ethnic 1930s and his more 'blocky' post-war style. The second Picture is smooth and sweet. The finale piece pitches Armenian nationalism against a Shostakovich-like rock-steady ostinato. The Sonatina is also in three very short movements. It was written for children but the middle movement has some very grown-up and gloomy nuances. The Six Moods are from the mid-1970s and range from strummed pensive to a quick-flowing arpeggiated liquidity to a Bachian reflection with a touch of Loussier about it. The other Moods encapsulate a quiescent hypnotic descent, uncontrived peace and a remorselessly purposeful kineticism designed to bring the house down. The eight miniatures of Album for Children are clearly for accomplished players and are not condescending in the moods struck.

The booklet is an object lesson in clarity of substantive expression and lucid layout. The four-page essay is by Melikyan.

If you would like to sample a range of Armenian piano music then Naxos offer a good anthology.

Strength and imagination are the hallmarks of this disc. The full-impact recording and Melikyan's total engagement complement this collection.

-- Rob Barnett, MusicWeb International

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Alexander Arutiunian (23 September 1920 – 28 March 2012), was a Soviet and Armenian composer. He graduated from the Music Conservatory of Yerevan, and studied composition with Genrikh Litinsky in Moscow. After graduation he became a professor at Yerevan State Conservatory, and in 1954 was appointed artistic director of the Armenian State Philharmony. As a composer, Arutiunian won acclaim at home and abroad for his works, many of which are quickened by the folk traditions of Armenian music. He was recognized with many awards, including a Stalin Prize and People's Artist of the USSR.
https://en.wikipedia.org/wiki/Alexander_Arutiunian

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Hayk Melikyan (born November 29, 1980 in Yerevan) is an Armenian pianist and composer. He studied with Alexander Gourgenov at the Yerevan Komitas Conservatory, and took master classes from Oxana Yablonskaya, Paul Badura-Skoda, Earl Wild and Fou Ts'Ong. Melikyan is a laureate of international piano competitions, and has premiered numerous works. His solo albums are released by various music labels, including Naxos. Melikyan regularly performs and holds piano master classes around the world. As a composer he has written for piano solo, chamber, instrumental, vocal and symphonic works.
https://www.haykmelikyan.com/

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