Ralph Vaughan Williams - Symphony No. 2 (Richard Hickox)

Information

Composer: Ralph Vaughan Williams; George Butterworth

1. Butterworth - "The Banks of Green Willow" Idyll
2. Vaughan Williams - A London Symphony (Symphony No. 2) (1913 version): I. Lento - Allegro risoluto
3. Vaughan Williams - A London Symphony (Symphony No. 2) (1913 version): II. Lento
4. Vaughan Williams - A London Symphony (Symphony No. 2) (1913 version): III. Scherzo (Nocturne)
5. Vaughan Williams - A London Symphony (Symphony No. 2) (1913 version): IV. Finale - Epilogue

London Symphony Orchestra
Richard Hickox, conductor

Date: 2001
Label: Chandos
https://www.chandos.net/products/catalogue/CHAN%209902

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Review

GRAMOPHONE'S RECORD OF THE YEAR 2001

It was during the summer of 1911 that George Butterworth (a victim of The Great War, and whose enchanting 1913 idyll, The Banks of Green Willow, comprises the achingly poignant curtain-raiser here) first suggested to Vaughan Williams that he should write a purely orchestral symphony. VW dug out some sketches he had made for a symphonic poem about London, whilst at the same time deriving fruitful inspiration from HG Wells’s 1908 novel, Tono-Bungay (and its visionary final chapter in particular). Geoffrey Toye gave the successful Queen’s Hall premiere in March 1914, and VW subsequently dedicated the score to Butterworth’s memory. Over the next two decades or so, the work underwent three revisions (including much judicious pruning) and was published twice (in 1920 and 1936). In his compelling 1941 recording with the Cincinnati SO, Eugene Goossens employed the 1920 version, which adds about three minutes of music to that definitive 1936 ‘revised edition’. Now Richard Hickox at long last gives us the chance to hear VW’s original, hour-long canvas – and riveting listening it makes too!

Whereas the opening movement is as we know it today, the ensuing, expanded Lento acquires an intriguingly mournful, even world-weary demeanour. Unnervingly, the ecstatic full flowering of that glorious E major Largamente idea, first heard at fig F in the final revision, never materialises, and the skies glower menacingly thereafter. Towards the end of the Scherzo (at 5'44) comes a haunting episode that Arnold Bax was particularly sad to see cut (‘a mysterious passage of strange and fascinating cacophony’ was how he described it in his autobiography, Farewell, My Youth [Scholar Press; 1992]). The finale, too, contains a wealth of additional material, most strikingly a liturgical theme of wondrous lyrical beauty (try from 6'42) and, in the epilogue, a gripping paragraph (beginning at 15'47) which both looks back to the work’s introduction as well as forward to the first movement of A Pastoral Symphony. Sprawling it may be, but VW’s epic conception evinces a prodigal inventiveness, poetry, mystery and vitality that do not pall with repeated hearings, and, time and again, I find myself marvelling at just how hugely influential its intoxicatingly colourful orchestral palette must have been on Holst’s The Planets and even Bax’s wartime tone-poems.

Hickox and the LSO respond with an unquenchable spirit, generous flexibility and tender affection that suit VW’s admirably ambitious inspiration to a T, and Chandos’s sound is big and bold to match. Quite simply, an essential purchase for anyone remotely interested in British music

-- Gramophone

More reviews:
http://www.musicweb-international.com/classrev/2001/May01/RVW2.htm
http://www.bbc.co.uk/music/reviews/88cz
http://www.classicstoday.com/review/review-6041/
http://www.classicalsource.com/db_control/db_cd_review.php?id=136
http://www.classicalcdreview.com/rvw2.htm
http://www.amazon.com/Vaughan-Williams-Symphony-Original-Butterworth/dp/B00005B54X

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Ralph Vaughan Williams (12 October 1872 – 26 August 1958) was an English composer of symphonies, chamber music, opera, choral music, and film scores. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century. Vaughan Williams is among the best-known British symphonists, noted for his very wide range of moods, from stormy and impassioned to tranquil, from mysterious to exuberant. His works have continued to be a staple of the British concert repertoire, with all his major compositions have been recorded.
https://en.wikipedia.org/wiki/Ralph_Vaughan_Williams

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Richard Hickox (5 March 1948 – 23 November 2008) was an English conductor of choral, orchestral and operatic music. He served as Artistic Director of the Northern Sinfonia (1982-1990), Associate Guest Conductor of the London Symphony Orchestra (1985-2008), Principal Conductor of the BBC National Orchestra of Wales (2000-2006), and was contracted as Opera Australia's music director at the time of his death. His recording repertoire concentrated on British music, in which he made a number of recording premieres for Chandos Records (he made over 280 recordings for this company) and won five Gramophone Awards.
https://en.wikipedia.org/wiki/Richard_Hickox

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