Composer: Ludwig van Beethoven
- Complete Piano Trios (5 CDs)
Beaux Arts Trio
Menahem Pressler, piano
Isidore Cohen, violin
Bernard Greenhouse, cello
Date: 2001
Label: Philips
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Performances that are as pleasing and durable as seasoned wood‚ beautifully recorded
Growing older doesn’t always mean growing wiser‚ though in the case of the Beaux Arts Trio and Beethoven the passage of some 20odd years signalled a rare and fruitful broadening of musical vision. In the period between their two recordings of the Beethoven Piano Trios there had been just one personnel change. Daniel Guilet was replaced by exJuilliard Quartet second violin Isidore Cohen and yet I’ve known some ensembles (I’m thinking specifically of string quartets) where up to three members have changed without effecting such a significant shift in musical emphasis. The principal route of the Beaux Arts’ interpretative development was forged by the pianist‚ Menahem Pressler‚ whose increased tonal subtlety and willingness to widen expressive dynamics lent the trio a whole new palette of colours. Just listen to the opening of Op 1 No 2’s ineffably deep Largo con espressione. Heard superficially‚ there’s not that much in it between the Pressler of the 1960s and of 1980‚ but labour the comparison and you’ll soon hear the benefits of a more variegated touch and a freer approach to phrasing. There are many other pluspoints. Op 70 No 2‚ for example‚ is less formal than before‚ more appreciative of Beethoven’s strange harmonic innovations (try the piano writing in the third movement) and with a more unbuttoned approach to the finale. The Archduke is at once softergrained and more wistful than its energetic predecessor and you couldn’t hope for a happier rendition of the Septet transcription (ie‚ the E flat Trio‚ Op 38). When it comes to the D major Trio ‘after the Second Symphony’‚ the Beaux Arts hold a weightier view of the piece than the BeschBrandisBoettcher trio on DG‚ whose lighter‚ more overtly Haydnesque reading omits the first movement’s exposition repeat. That’s another reason for choosing the new Beaux Arts over the old: repeats‚ which were less plentiful in their earlier set. Philips’ latest slimline packaging takes up roughly onethird of the original’s shelf space. The sound quality is of course just as good: clear‚ fullbodied and well balanced. The fatter ‘Early Years’ 1960s set is harder on the ear‚ appropriately so given the more severely Classical axis of the performances. As to CD rivals‚ I’d not want to be without the KempffSzeryngFournier set – resonantsounding it’s true‚ but a fine example of how three very distinct personalities could pool their musical resources for some highly distinctive interpretations. But given the price‚ the superior sound quality‚ the comprehensive coverage of repertoire (14 works as opposed to 11 in the 1960s Philips set) and the profundity of the Beaux Art’s later interpretative standpoint‚ this new reissue justifies a frontranking recommendation. So much is said with so much feeling – and so little fuss – that you’re drawn back again and again.
-- Gramophone
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Ludwig van Beethoven (baptized 17 December 1770 – 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers. Beethoven is acknowledged as a giant of classical music, and his influence on subsequent generations was profound. His best-known compositions include 9 symphonies, 5 piano concertos, 1 violin concerto, 32 piano sonatas and 16 string quartets. Many of his most admired works come from the last decade of his life, when he was almost completely deaf.
https://en.wikipedia.org/wiki/Ludwig_van_Beethoven
https://en.wikipedia.org/wiki/Ludwig_van_Beethoven
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The Beaux Arts Trio was a noted piano trio, celebrated for wide-ranging repertoire. They made their debut on 13 July 1955, at the Berkshire Music Festival (known today as the Tanglewood Music Center). Their final concert was in Lucerne, Switzerland on 6 September 2008. The original members were Menahem Pressler (piano), Daniel Guilet (violin) and Bernard Greenhouse (cello). Throughout its existence, the trio was held together by founding pianist Menahem Pressler, while violin and cello members changed on a number of occasions. The Beaux Arts Trio recorded the entire standard piano trio repertoire.
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