Composer: Ralph Vaughan Williams
- (01) Scott of the Antarctic
- (19) Coastal Command Suite
- (27) The People's Land
Merryn Gamba, soprano
Jonathan Scott, organ
Sheffield Philharmonic Chorus
BBC Philharmonic Orchestra
Rumon Gamba, conductor
Date: 2002
Label: Chandos
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A fascinating triptych which includes he first recording of VW’s complete Scott of the Antarctic score
Of the 11 film scores that Ralph Vaughan Williams penned between 1941 and 1958 the most ambitious and consistently inventive remains that for the 1948 Ealing Studios production of Scott of the Antarctic. It was a project that so gripped the composer that he had already devised much of the musical material long before he had even seen the screenplay (and over the next few years, of course, he refashioned his ideas still further into what would become his Seventh Symphony, Sinfonia antartica). In the event, the film-makers made use of just 462 of the autograph manuscript’s 996 bars, so no VW fan should miss this opportunity to sample his imaginative inspiration.
Personal highlights from a riveting 41-minute sequence comprising 18 numbers include the tenderly compassionate ‘Sculpture Scene’ (track 4, and forerunner to the ‘Intermezzo’ fourth movement of the symphony) and the brief, gawkily good-humoured ‘Pony March’ (track 9). Moreover, one can only marvel at the tone-painting skills to be found in some of the more extended cues such as ‘Ice Floes’, ‘Aurora’ and ‘Snow Plain’ (tracks 6, 8 and 14 respectively). Note, too, the telling contrast between the end titles (which resound with heroic defiance, following the director’s wishes) and the symphony’s bleak conclusion (where the icy wastes have the last, implacable word).
For the Crown Film Unit’s 1942 drama-documentary Coastal Command Vaughan Williams produced a score of superior quality, its powerful sweep and spectacle aptly suggestive of the tireless endeavours of those courageous flying-boat patrols. Written that same year, VW’s 13-minute contribution to The People’s Land (a film about the National Trust commissioned by the British Council) is less immediately compelling but appealing all the same in its folksy charm and lyrical beauty.
Rumon Gamba secures exemplary results from his assembled forces (in the Coastal Command suite the BBC Philharmonic possess that crucial bit more tonal clout than Andrew Penny’s RTÉ band), and the recording is spectacularly truthful to match. I’m already impatiently awaiting Volume 2.
-- Andrew Achenbach, Gramophone
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Ralph Vaughan Williams (12 October 1872 – 26 August 1958) was an English composer of symphonies, chamber music, opera, choral music, and film scores. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century. Vaughan Williams is among the best-known British symphonists, noted for his very wide range of moods, from stormy and impassioned to tranquil, from mysterious to exuberant. His works have continued to be a staple of the British concert repertoire, with all his major compositions have been recorded.
https://en.wikipedia.org/wiki/Ralph_Vaughan_Williams
https://en.wikipedia.org/wiki/Ralph_Vaughan_Williams
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Rumon Gamba (born 24 November 1972), is an English conductor. He studied conducting with Colin Metters, George Hurst and Sir Colin Davis at the Royal Academy of Music in London. Gamba was Chief Conductor and Music Director of the Iceland Symphony Orchestra from 2002 to 2010. In October 2008, he was named the next chief conductor and music director of NorrlandsOperan. In March 2011, Gamba was named chief conductor of the Aalborg Symphony Orchestra. Gamba has conducted a number of recordings for the Chandos Records label, particularly in their Film Music series.
https://en.wikipedia.org/wiki/Rumon_Gamba
https://en.wikipedia.org/wiki/Rumon_Gamba
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