Siegmund von Hausegger - Lieder (Roman Trekel; Cord Garben)

Information

Composer: Siegmund von Hausegger

1. Siehst du den Stern
2. Ewig jung ist nur die Sonne
3. Abendwolke
4. Letzte Bitte
5. Schwüle
6. Winter
7. Mit trockenen Blumen
8. Vor der Ernte
9. Mein Schweinchen
10. Tief von fern
11. Auf der Haide
12. Das Lied von Ferne
13. Mondnacht
14. Das Liebchen
15. Über die Heide
16. Herbst
17. Genug
18. Weihenacht
19. Stille der Nacht
20. Unter Sternen
21. Eingelegte Ruder
22. Lenz Wanderer
23. Lenz Mörder
24. Lenz Triumphator
25. Ekstase
26. Glaube nur
27. Der Teufel ist fort

Roman Trekel, 

Cord Garben, piano

Date: 2018

Label: cpo

https://www.jpc.de/jpcng/cpo/detail/-/art/siegmund-von-hausegger-lieder/hnum/3011152

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Review

This was my first encounter with the songs of Austrian composer Siegmund von Hausegger, whose work is largely neglected today. Those here were written in mostly response to the poetry of Meyer and Birbaum, in the early part of his life between 1896 and 1902, and are predominately lyrical in character, with excursions in a humorous vein, such as the two songs using German translations of texts by Robert Burns. He composed comparatively little after the unexpected death of his father, mentor and teacher in 1899, gradually falling silent and concentrating on his conducting career. It was not just that loss which inhibited his creativity, but also the fact that his idiom, heavily influenced by a devotion to Wagner inherited from his father, increasingly fell out of fashion with the ascendant new Viennese School.

Roman Trekel has a smooth, pleasant baritone and his singing betrays no interpretative idiosyncrasies or technical weaknesses; he has made a number of recordings of slightly fringe repertoire in Germanic opera and Lieder and this latest one is very much in that mode. His easy top notes, dreamy half-voice and resonant low notes give his voice an expressive range and edge. His diction is excellent, without exaggeration. You could not ask for a more experienced, accomplished or sensitive accompanist than Cord Garben. The songs themselves are brief, moody and soulful and although they are neatly crafted, they sometimes seem to draw to a close before they have got going and I find their chromatic, sub-Wagnerian meanderings oddly unmemorable. I have to say that after several attempts I hear nothing striking or remarkable in them, for all the fervent advocacy of the performers and the author of the full, learned and informative notes, especially in comparison with the songs of contemporaries such as Richard Strauss.

The sound is exemplary in terms of balance, warmth and clarity and the production values of the presentation are very high. I just wish I were more engaged by the songs themselves; others may feel more positively about them.

-- Ralph Moore, MusicWeb International

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Siegmund von Hausegger (16 August 1872 – 10 October 1948) was an Austrian composer and conductor. Hausegger studied music initially under his father, and a strong Wagnerian tinge is found in his own compositions, which included masses, operas and symphonic poems as well as many choruses and songs. At the beginning of the 20th century, he was considered as one of the next great talents after Strauss and Mahler, but despite several successes, his music was forgotten when his post-Wagnerian style went out of fashion. As a conductor, Hausegger was the first to perform Anton Bruckner's Symphony No. 9 in its original form.
https://en.wikipedia.org/wiki/Siegmund_von_Hausegger

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Roman Trekel (born 1963 in Pirna, near Dresden) is a German operatic baritone.

https://www.romantrekel.de/

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