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Thursday, October 20, 2022

Arnold Rosner - Requiem (Nick Palmer)


Information

Composer: Arnold Rosner
  • Requiem, Op. 59

Kelley Hollis, soprano
Feargal Mostyn-Williams, countertenor
Thomas Elwin, tenor
Gareth Brynmor John, baritone

Crouch End Festival Chorus
London Philharmonic Orchestra
Nick Palmer, conductor

Date: 2022
Label: Toccata

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Review

Critics’ Choice Alert! The Requiem by Arnold Rosner (1945-2013) is magnificent. Completed in 1973, it originated from an abortive plan to convert Ingmar Bergman’s 1957 film The Seventh Seal into an opera. Rosner adapted the music he had sketched into an hour-long, choral-orchestral secular Requiem the subject of which is both the fragility and vulnerability of life and its immutable regenerative quality. Rosner collated the text from many sources: the book of Revelation, Catholic liturgy, poems by Gottfried Benn, Villon, Whitman and Dante, a Zen Buddhist sutra and the Kaddish – the latter movingly sung by soprano Kelley Hollis. Two of the 10 movements are purely orchestral: the third, the compelling, driving toccata ‘Musica Satanica’, and the finale, the German title of which translates as ‘and again the immense darkness’.

Yet the Requiem, an astonishing achievement for a 28-year-old, is also full of light, with an expressive and musical range to match that of the texts. The choral writing at times emulates medieval organum, at others a fusion with Ligeti; the music has a rhythmic drive that reminded me of Tippett with a Shostakovian power, yet the orchestration (often delicate) sparkles and shimmers like Holst. But it sounds like none of these exemplars and is pure Rosner. The four soloists sing immaculately but are outshone by the wonderful Crouch End Festival Chorus. The London Philharmonic Orchestra under Nick Palmer play with a verve and enthusiasm that communicates vividly, caught in demonstration-quality sound. I cannot recommend this highly enough.

-- Guy Rickards, Gramophone


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Arnold Rosner (November 8, 1945 in New York City – November 8, 2013) was an American composer of classical music. He got his training at State University of New York at Buffalo, New York. Rejecting all the compositional trends that appeared during his career, he developed an individual style that fused elements of Renaissance music with the heightened drama and rich sonorities of late romanticism. His output comprises more than 120 works, including three operas, eight symphonies, six string quartets, and numerous choral, vocal, instrumental, and keyboard compositions. Most of his music is available on recording.

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Nick Palmer is one of America's most acclaimed symphony, pops and crossover conductors. A native of Hingham, Massachusetts, he graduated from Harvard University and received his Masters and Doctoral degrees from the New England Conservatory and the University of Iowa. Palmer is Music Director of the Lafayette Symphony in Indiana, the North Charleston POPS! in South Carolina, Artistic Advisor/Principal Guest Conductor of the Altoona Symphony in Pennsylvania, and conductor of the Evening Under the Stars orchestra in Massachusetts. He has recorded for Symphonic Discoveries, Albany and Toccata labels.

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