Joachim Raff - Works for Violin & Piano Vol. 1 (Ingolf Turban; Jascha Nemtsov)

Information

Composer: Joachim Raff

1. First Grand Sonata in E minor, Op. 73: I. Bewegt
2. First Grand Sonata in E minor, Op. 73: II. Sehr rasch und fein
3. First Grand Sonata in E minor, Op. 73: III. Nicht zu langsam
4. First Grand Sonata in E minor, Op. 73: IV. Bewegt, sehr bestmmt
5. Duo in A major, for violin & piano, Op. 59: Andantino - Allegro appassionato
6. Two Fantasy Pieces, Op. 58: No. 1 Andantino
7. Two Fantasy Pieces, Op. 58: No. 2 Andantino quasi largetto
8. Duo on motifs from Wagner's 'Tannhäuser', Op. 63 No. 2

Ingolf Turban, violin
Jascha Nemtsov, piano

Date: 2002
Label: cpo

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Review

MUSICWEB INTERNATIONAL'S RECORDING OF THE MONTH

This disc is pure pleasure from first to last (Volume 2 is now also available, CPO999 768-2). Ingolf Turban (who was offered the post of concertmaster with the Munich Philharmonic Orchestra by Sergiu Celibidache when only 21 years old) has poured his talent and belief into these wonderfully attractive pieces. No less attractive is the playing of his accompanist, the Russian-Jewish pianist Jascha Nemtsov. The whole disc represents a meeting of equals and affords much pleasure.

It may take you almost as long to read the booklet notes as it does to listen to the music itself. Georg Albrecht Eckle provides well-informed and thorough background to both the composer and his representations here. Even without any of this, though, CPO’s generous 72 minutes worth guarantees much pleasure.

The disc begins with by far the heftiest item, the First Grand Sonata. This is music of very serious intent. Interestingly, despite its full duration of nearly 28 minutes, one expects the first movement to be longer than it actually is: is this a need to hear more from the players, or is it that Raff’s material is so fertile that he does not quite do it justice?. Whatever, the performance has real drive.

It is typical of Raff that the slow movement (with its qualifier, ‘nicht zu langsam’) contains great charm amongst its generally sober intent. The fact that both players are young probably meant that the cheeky end to the ‘sehr rach und fein’ second movement came easily to them. However, it is in the finale that the sparks really fly. There is superb violin playing, and Nemtsov despatches the fiendishly difficult piano part with apparent ease.

The overall trajectory of the works on this disc seems to be from the more ‘serious’ constraints of the sonata towards the salon. Thus, the Duo, Op. 59 and the Two Fantasy Pieces, Op. 58 separate the Sonata from a pot-pourri on themes from Tannhäuser. Eckle’s booklet notes make much of the influence of Mendelssohn on Raff, and this is certainly aurally obvious in the charming Duo. This is a fairly extended piece, but the easy flow makes the time fly by. It has to be admitted, though, that some of the linking passages are running low on the inspiration that fuelled the whole of the Grand Sonata.

The two Fantasy Pieces were written for Mendelssohn’s friend Ferdinand David. They contain much lovely playing here, often of a quasi-improvisational nature. Both players, although possibly particularly Nemtsov, revel in the tonally rich sounds available.

Finally, the first chord of the Tannhäuser Duo affirms our musico-geographical whereabouts. This is a flighty, fun recontextualisation of the familiar, which makes Wagner seem completely and utterly harmless. It is a fun way to end a most stimulating and rewarding release. The many difficulties are surmounted with ease by Turban and Nemtsov (try Turban’s excellently-placed high register at around 8’24, for example, immediately following a virtuoso-like passage from the pianist)..

Wholeheartedly recommended. This disc is a box of life-affirming delights waiting to be opened.

-- Colin Clarke, MusicWeb International

More review:
http://www.raff.org/records/reviews/chamber/10.htm

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Joachim Raff (May 27, 1822 – June 24 or June 25, 1882) was a German-Swiss composer, teacher and pianist. He worked as Liszt's assistant at Weimar from 1850 to 1853, helping in the orchestration of several of Liszt's works. From 1878 he was the first Director of, and a teacher at, the Hoch Conservatory in Frankfurt, where he employed Clara Schumann and a number of other eminent musicians as teachers. His pupils there included Edward MacDowell and Alexander Ritter. Raff was very prolific, and by the end of his life was one of the best known German composers, though his work is largely forgotten today.
https://en.wikipedia.org/wiki/Joachim_Raff

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Ingolf Turban (born 17th March 1964 in Munich) is a German violinist. He studied with Gerhard Hetzel, Jens Ellermann and Dorothy DeLay, among others. Turban was appointed concertmaster with the Munich Philharmonic Orchestra under Celibidache in 1985, but departed to launch a solo career in 1988. Turban is best known for his spirited interpretations of the works of Paganini, and also commands a huge repertory of works by Mozart, Schumann, Joachim Raff, Ysaÿe, Wieniawski, Bruch, Reinecke, Respighi, Kreisler, etc. He has concertized throughout Europe and the U.S., and has made over 30 recordings.

http://www.allmusic.com/artist/ingolf-turban-mn0001478954/biography

http://www.ingolfturban.de/biographie/biography/

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Jascha Nemtsov (born 7th October 1963 in Magadan, Siberia, USSR) is a Russian pianist and musicologist. As a pianist he has recorded more than 30 CDs, featuring numerous world premiere recordings and a vast spectrum of repertoire from Romantic compositions such as Liszt and Raff to music of the New Jewish School, Turkish music (Saygun), Bartok, Shostakovich, Prokofiev and other modern Russian composers. In his scientific works he focuses on Jewish music and Jewish composers of the 20th century, and gives guest lectures and master classes in Europe and North America.

http://www.musica-judaica.com/jne.htm

https://de.wikipedia.org/wiki/Jascha_Nemtsov

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