Leopold Godowsky - Strauss transcriptions & other waltzes (Marc-André Hamelin)

Information

Composer: Leopold Godowsky

• (01) Symphonic Metamorphosis on Künstlerleben (Johann Strauss II)
• (02-05) Walzermasken Nos. 2, 14, 22 & 24
• (06) Symphonic Metamorphosis on Die Fledermaus (Johann Strauss II)
• (07-11) Triakontameron Nos. 4, 11, 13, 21 & 25
• (12) Symphonic Metamorphosis on Wein, Weib und Gesang (Johann Strauss II)
• (13) The Last Waltz (Oscar Strauss; idealized version by Leopold Godowksy)

Marc-André Hamelin, piano
Date: 2008
Label: Hyperion
https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA67626

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Review

Clarity and subtlety in delightfully eloquent interpretations

The multi-levelled labyrinths of Leopold Godowsky’s piano-writing have long been second nature to Marc-André Hamelin. Listeners familiar with earlier Hamelin Hyperion Godowsky releases can testify to the pianist’s cultured musicianship, extraordinary keyboard proficiency and unflappable tonal control. His key assets include the most together, impeccably voiced chords in the business, plus octaves, trills and rapid leaps that remain effortlessly even and focused, regardless of tempo.

All of this comes into delightful play over the course of the three big Strauss Symphonic Metamorphoses. Countless inner voices and contrapuntal rejoinders abound in these works, and Hamelin makes them audible and clear without resorting to the pianistic equivalent of red-ink underlining or pop-up windows. Furthermore, Hamelin is a seasoned and subtle orchestrator at the piano; notice how he achieves such eloquent shading of simultaneous legato and detached phrases with no more help from the sustain pedal than is necessary.

To be sure, there are other valid ways to interpret Strauss/Godowsky. For example, David Saperton’s 1952 mono recordings of the Künsterleben and Fledermaus paraphrases convey more linear urgency and harmonic tension by virtue of slightly faster tempi, more pronounced textural contrast between foreground and background material, and sharper accents. One also could argue that Godowsky’s pinpoint tempo modifications throughout Wein, Weib und Gesang might benefit from stronger characterisation, in the manner of Shura Cherkassky’s admittedly more capricious Decca recording, although Hamelin eschews the older pianist’s cuts; in fact, Hamelin plays all three Metamorphoses complete, as written. As it happens, the less demanding shorter selections from Walzermasken, Triakontameron and The Last Waltz inspire some of Hamelin’s most poetic, lyrically inspired playing on disc. All told, a stellar achievement, graced by Hyperion’s close-up yet ample engineering, plus Gramophone contributor and Godowsky biographer Jeremy Nicholas’s thoroughly informative and penetrating annotations.

-- Jed Distler, Gramophone

More reviews:
http://www.musicweb-international.com/classrev/2008/Sept08/Godowsky_CDA67626.htm
https://www.theguardian.com/music/2008/aug/15/classicalmusicandopera4
http://www.musicalcriticism.com/recordings/cd-godowsky-strauss-0708.shtml
https://www.amazon.co.uk/Godowsky-Strauss-Transcriptions-other-waltzes/dp/B001AYAKT6

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Leopold Godowsky (13 February 1870 – 21 November 1938) was a Polish-American virtuoso pianist, composer, and teacher. He was one of the most highly regarded performers of his time – known for his theories concerning the application of relaxed weight and economy of motion within pianistic technic – principles later propagated by Godowsky's pupils, such as Heinrich Neuhaus. As a composer, Godowsky is best known for his Java Suite, Triakontameron, Passacaglia and Walzermasken, alongside his transcriptions of works by other composers: best known work in the field is 53 Studies on Chopin's Études.
https://en.wikipedia.org/wiki/Leopold_Godowsky

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Marc-André Hamelin (born September 5, 1961 in Montreal, Quebec) is a Canadian virtuoso pianist and composer. Hamelin is recognized worldwide for the originality and technical brilliance of his performances of the classic repertoire. He has made recordings of a wide variety of composers with the Hyperion label. He is well known for his attention to lesser-known composers especially of the late nineteenth and early twentieth century and for performing works by pianist-composers. Hamelin has also composed several works, including a set of piano études in all of the minor keys.
http://en.wikipedia.org/wiki/Marc-Andr%C3%A9_Hamelin

http://www.marcandrehamelin.com/

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