Information
Composer: Richard Strauss
Pittsburgh Symphony Orchestra
Manfred Honeck, conductor
Date: 2013
Label: Reference Recordings
https://referencerecordings.com/recording/strauss-pittsburgh-symphony-honeck/
- Don Juan, Op. 20
- Death and Transfiguration, Op. 24
- Till Eulenspiegel's Merry Pranks, Op. 28
Pittsburgh Symphony Orchestra
Manfred Honeck, conductor
Date: 2013
Label: Reference Recordings
https://referencerecordings.com/recording/strauss-pittsburgh-symphony-honeck/
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ARTISTIC QUALITY: 10 / SOUND QUALITY: 10
Recordings like this restore one’s faith in the possibility of true musical greatness. Manfred Honeck conducts this music as do few others today. He’s not afraid to have a good time, nor is he a strict literalist. In his notes he speaks almost apologetically of a couple of liberties he takes–in the judgment scene of Till Eulenspiegel (with the dynamics of the solo clarinet), and at the moment of death just before the coda of transfiguration, where he lets the tam-tam reverberate for a few extra bars – surely what Strauss intended in both cases, even if it’s not exactly what he wrote.
What Honeck doesn’t mention is the added bass drum part in Don Juan, or the extra thud for the same instrument in Till Eulenspiegel. All of this is done quite sensibly, to be honest, but the point is that these and other distinctive touches never sound mannered or gratuitous. Rather, they offer evidence of Honeck’s remarkable engagement with the music, his belief in it, and his willingness to do whatever he deems necessary to realize Strauss’ programmatic vision as vividly as possible. For all of their larger-than-life qualities, Honeck remains sensitive to every dynamic nuance, intricacy of balance, and rhythmic quirk. Every one of these versions ranks with the best available.
The Pittsburgh Symphony plays the living daylights out of this music. Really, is there another group out there today that can play with this kind of bravura? For example, listen to the way that Honeck slows down for the big horn tune in Don Juan (sound clip), and my goodness, how these players make a meal of it! The live sonics are, typically for Reference Recordings, of demonstration quality whether in stereo or 5.1 surround sound, and the audience is almost perfectly silent. This disc is the first in a new partnership between Reference Recordings, Pittsburgh, and Honeck–a rebirth for the label, and a huge victory for serious classical music lovers everywhere.
-- David Hurwitz, ClassicsToday
BBC Music Magazine PERFORMANCE : ***** / RECORDING: ****
MusicWeb International RECORDING OF THE MONTH
https://www.gramophone.co.uk/review/strauss-don-juan-death-and-transfiguration-till-eulenspiegel%E2%80%99s-merry-pranks
http://www.musicweb-international.com/classrev/2014/Jan14/Strauss_DonJuan_FR707.htm
http://www.classical.net/music/recs/reviews/r/ref00707a.php
https://www.allmusic.com/album/richard-strauss-don-juan-death-and-transfiguration-till-eulenspiegels-merry-pranks-mw0002581556
https://www.amazon.com/Death-Transfiguration-Eulenspiegels-Merry-Pranks/dp/B00FB7MPWI
Recordings like this restore one’s faith in the possibility of true musical greatness. Manfred Honeck conducts this music as do few others today. He’s not afraid to have a good time, nor is he a strict literalist. In his notes he speaks almost apologetically of a couple of liberties he takes–in the judgment scene of Till Eulenspiegel (with the dynamics of the solo clarinet), and at the moment of death just before the coda of transfiguration, where he lets the tam-tam reverberate for a few extra bars – surely what Strauss intended in both cases, even if it’s not exactly what he wrote.
What Honeck doesn’t mention is the added bass drum part in Don Juan, or the extra thud for the same instrument in Till Eulenspiegel. All of this is done quite sensibly, to be honest, but the point is that these and other distinctive touches never sound mannered or gratuitous. Rather, they offer evidence of Honeck’s remarkable engagement with the music, his belief in it, and his willingness to do whatever he deems necessary to realize Strauss’ programmatic vision as vividly as possible. For all of their larger-than-life qualities, Honeck remains sensitive to every dynamic nuance, intricacy of balance, and rhythmic quirk. Every one of these versions ranks with the best available.
The Pittsburgh Symphony plays the living daylights out of this music. Really, is there another group out there today that can play with this kind of bravura? For example, listen to the way that Honeck slows down for the big horn tune in Don Juan (sound clip), and my goodness, how these players make a meal of it! The live sonics are, typically for Reference Recordings, of demonstration quality whether in stereo or 5.1 surround sound, and the audience is almost perfectly silent. This disc is the first in a new partnership between Reference Recordings, Pittsburgh, and Honeck–a rebirth for the label, and a huge victory for serious classical music lovers everywhere.
-- David Hurwitz, ClassicsToday
BBC Music Magazine PERFORMANCE : ***** / RECORDING: ****
MusicWeb International RECORDING OF THE MONTH
https://www.gramophone.co.uk/review/strauss-don-juan-death-and-transfiguration-till-eulenspiegel%E2%80%99s-merry-pranks
http://www.musicweb-international.com/classrev/2014/Jan14/Strauss_DonJuan_FR707.htm
http://www.classical.net/music/recs/reviews/r/ref00707a.php
https://www.allmusic.com/album/richard-strauss-don-juan-death-and-transfiguration-till-eulenspiegels-merry-pranks-mw0002581556
https://www.amazon.com/Death-Transfiguration-Eulenspiegels-Merry-Pranks/dp/B00FB7MPWI
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Richard Strauss (11 June 1864 – 8 September 1949) was a leading German composer of the late Romantic and early modern eras. He is known for his operas, lieder, tone poems and other orchestral works. Strauss was also a prominent conductor throughout Germany and Austria, enjoying quasi-celebrity status as his compositions became standards of orchestral and operatic repertoire. Strauss made a large number of recordings, both of his own music as well as music by German and Austrian composers. Along with Gustav Mahler, Strauss represents the late flowering of German Romanticism after Richard Wagner.
https://en.wikipedia.org/wiki/Richard_Strauss
https://en.wikipedia.org/wiki/Richard_Strauss
***
Manfred Honeck (born 17 September 1958, in Nenzing) is an Austrian conductor. His brothers is the Vienna Philharmonic leader Rainer Honeck. He attended the Academy of Music in Vienna, and then became a musician in the Vienna Philharmonic and the Vienna State Opera Orchestra. Honeck was Music Director of the Swedish Radio Symphony Orchestra (2000-2006) and Generalmusikdirektor of the Staatsoper Stuttgart (2007-2011). Honeck is the ninth music director of the Pittsburgh Symphony Orchestra (since 2008). He and the PSO have recorded for Octavia (Exton) label and Reference Recordings.
https://en.wikipedia.org/wiki/Manfred_Honeck
Manfred Honeck (born 17 September 1958, in Nenzing) is an Austrian conductor. His brothers is the Vienna Philharmonic leader Rainer Honeck. He attended the Academy of Music in Vienna, and then became a musician in the Vienna Philharmonic and the Vienna State Opera Orchestra. Honeck was Music Director of the Swedish Radio Symphony Orchestra (2000-2006) and Generalmusikdirektor of the Staatsoper Stuttgart (2007-2011). Honeck is the ninth music director of the Pittsburgh Symphony Orchestra (since 2008). He and the PSO have recorded for Octavia (Exton) label and Reference Recordings.
https://en.wikipedia.org/wiki/Manfred_Honeck
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