Information
Composer: Kenneth Leighton
Sarah Fox, soprano
BBC National Chorus & Orchestra of Wales
Richard Hickox, conductor
Date: 2008
Label: Chandos
https://www.chandos.net/products/catalogue/CHAN%2010495
- (01) Symphony No. 2 (Sinfonia mistica), Op. 69
- (07) Te Deum laudamus
Sarah Fox, soprano
BBC National Chorus & Orchestra of Wales
Richard Hickox, conductor
Date: 2008
Label: Chandos
https://www.chandos.net/products/catalogue/CHAN%2010495
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Leighton’s durable and deeply felt Sinfonia mistica makes it on to CD
Chandos’s most valuable exploration of Kenneth Leighton’s large-scale output continues with this exhilarating coupling. Composed during 1973-74 in direct response to the death of his mother, Leighton’s Sinfonia mistica (the second of his three numbered symphonies) is scored for soprano, chorus and orchestra. Described by its creator as “a requiem or a meditation on the subject of death which usually becomes so more real to us in the second half of life”, the symphony has six movements and sets texts by such great metaphysical poets as John Donne, Thomas Traherne and George Herbert, while also making telling use of the 1865 American hymn tune The Shining River (it makes a wraith-like appearance at the very start and is quoted in its entirety in the substantial finale). The linked “Meditation” and “Elegy” at the work’s heart manifest an especially potent beauty, serenity and compassion, but, truth to tell, inspiration soars consistently high in this cogently wrought and (above all) profoundly humane utterance. This is music which, I have not the slightest doubt, will amply repay repeated listening. The orchestral version of the glorious 1964 Te Deum laudamus (commissioned in 1966 by Bernard Rose and the Oxford Bach Choir) makes a rewarding postscript.
Both performances are beyond reproach. Sarah Fox sings with refulgent tone, commendable accuracy and shining intelligence; and Richard Hickox rallies the BBC Welsh forces to the same dizzy heights that marked out the previous volume in this series (7/08) as one of the best discs of 2008. Outstandingly vivid sound, too, with a perfectly judged balance throughout. Miss at your peril, and the good news is that Chandos have more Leighton lined up for the spring.
-- Andrew Achenbach, Gramophone
More reviews:
http://www.musicweb-international.com/classrev/2009/Jan09/Leighton_2_CHAN10495.htm
http://www.arkivmusic.com/classical/album.jsp?album_id=207469
https://classicalsource.com/db_control/db_cd_review.php?id=6703
https://www.amazon.co.uk/Leighton-Symphony-Sinfonia-mistica-laudamus/dp/B001I3GCDC
Chandos’s most valuable exploration of Kenneth Leighton’s large-scale output continues with this exhilarating coupling. Composed during 1973-74 in direct response to the death of his mother, Leighton’s Sinfonia mistica (the second of his three numbered symphonies) is scored for soprano, chorus and orchestra. Described by its creator as “a requiem or a meditation on the subject of death which usually becomes so more real to us in the second half of life”, the symphony has six movements and sets texts by such great metaphysical poets as John Donne, Thomas Traherne and George Herbert, while also making telling use of the 1865 American hymn tune The Shining River (it makes a wraith-like appearance at the very start and is quoted in its entirety in the substantial finale). The linked “Meditation” and “Elegy” at the work’s heart manifest an especially potent beauty, serenity and compassion, but, truth to tell, inspiration soars consistently high in this cogently wrought and (above all) profoundly humane utterance. This is music which, I have not the slightest doubt, will amply repay repeated listening. The orchestral version of the glorious 1964 Te Deum laudamus (commissioned in 1966 by Bernard Rose and the Oxford Bach Choir) makes a rewarding postscript.
Both performances are beyond reproach. Sarah Fox sings with refulgent tone, commendable accuracy and shining intelligence; and Richard Hickox rallies the BBC Welsh forces to the same dizzy heights that marked out the previous volume in this series (7/08) as one of the best discs of 2008. Outstandingly vivid sound, too, with a perfectly judged balance throughout. Miss at your peril, and the good news is that Chandos have more Leighton lined up for the spring.
-- Andrew Achenbach, Gramophone
More reviews:
http://www.musicweb-international.com/classrev/2009/Jan09/Leighton_2_CHAN10495.htm
http://www.arkivmusic.com/classical/album.jsp?album_id=207469
https://classicalsource.com/db_control/db_cd_review.php?id=6703
https://www.amazon.co.uk/Leighton-Symphony-Sinfonia-mistica-laudamus/dp/B001I3GCDC
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Kenneth Leighton (2 October 1929 – 24 August 1988) was a British composer and pianist. He studied at the Queen's College, Oxford with Bernard Rose, and in Rome with Goffredo Petrassi. Leighton taught at the University of Edinburgh and the Oxford University, where his students included Donald Runnicles, Nicholas Cleobury, Nigel Osborne and James MacMillan. He composed a wide range of music (over 100 works) for many different configurations of instruments. His output includes church music, chamber, organ and solo piano music, as well as large-scale orchestral works and an opera.
https://en.wikipedia.org/wiki/Kenneth_Leighton
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https://en.wikipedia.org/wiki/Kenneth_Leighton
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Richard Hickox (5 March 1948 – 23 November 2008) was an English conductor of choral, orchestral and operatic music. He served as Artistic Director of the Northern Sinfonia (1982-1990), Associate Guest Conductor of the London Symphony Orchestra (1985-2008), Principal Conductor of the BBC National Orchestra of Wales (2000-2006), and was contracted as Opera Australia's music director at the time of his death. His recording repertoire concentrated on British music, in which he made a number of recording premieres for Chandos Records (he made over 280 recordings for this company) and won five Gramophone Awards.
https://en.wikipedia.org/wiki/Richard_Hickox
https://en.wikipedia.org/wiki/Richard_Hickox
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