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Friday, February 28, 2020

Various Composers - Martha Argerich's Début Recital


Information

  • Frédéric Chopin - Scherzo No. 3 in C sharp minor, Op. 39
  • Johannes Brahms - Rhapsody in B minor, Op. 79 No. 1
  • Johannes Brahms - Rhapsody in G minor, Op. 79 No. 2
  • Sergei Prokofiev - Toccata, Op. 11
  • Maurice Ravel - Jeux d'eau
  • Frédéric Chopin - Barcarolle in F sharp major, Op. 60
  • Franz Liszt - Hungarian Rhapsody No. 6, S. 244
  • Franz Liszt - Sonata in B minor, S. 178

Martha Argerich, piano
Date: 1961, 1972 (Liszt's Sonata)
Label: Deutsche Grammophon
https://www.deutschegrammophon.com/en/cat/4474302


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Review

Here, on this richly filled CD, is a positive cornucopia of musical genius. Martha Argerich's 1961 disc remains among the most spectacular of all recorded debuts, an impression reinforced by an outsize addition and encore: her 1972 Liszt Sonata. True, there are occasional reminders of her pianism at its most fraught and capricious (Chopin's Barcarolle) as well as tiny scatterings or inaccuracies, yet her playing always blazes with a unique incandescence and character.

The Brahms Rhapsodies are as glowingly interior as they are fleet (try the B minor's central molto dolce expressivo). To think that Argerich, fearful of possible failure in such music, begged for last minute reassurance from Nelson Freire, her friend and frequent musical partner.

No more mercurial Chopin Scherzo exists on record and if its savagery becomes flighty and skittish (with the chorale's decorations sounding like manic bursts of laughter), Argerich's fine-toned fluency will make other, lesser pianists weep with envy. Ravel's Jeux d'eau is gloriously indolent and scintillating and the Prokofiev Toccata (a supreme example of his early iconoclasm) is spun off in a manner that understandably provoked Horowitz's awe and enthusiasm. Liszt's Sixth Hungarian Rhapsody is a marvel of wit and daring and the B minor Sonata is among the most dazzling ever perpetuated on disc. The recordings have worn remarkably well and the transfers have been expertly done.

-- Bryce Morrison, Gramophone

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Martha Argerich (born June 5, 1941 in Buenos Aires) is an Argentine pianist generally considered to be one of the greatest of the second half of the 20th century, although her aversion to the press and publicity has resulted in her remaining out of the limelight for most of her career. Argerich gave her debut concert at the age of 8 and made her first commercial recording in 1960. Argerich rose to international prominence when she won the seventh International Chopin Piano Competition in Warsaw in 1965, at age 24. She is noted for her bravura technique and the raw energy of her interpretations.
https://en.wikipedia.org/wiki/Martha_Argerich

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