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Saturday, April 23, 2022

Various Composers - Born to Play (Wayne Marshall)


Information

  1. Paquito D'Rivera - Brazilian Fantasy (arr. by Daniel Freiberg): No. 1. Corcovado (Antonio Carlos Jobim)
  2. Paquito D'Rivera - Brazilian Fantasy (arr. by Daniel Freiberg): No. 2. Doce di Coco (Jacob do Bandolim)
  3. Paquito D'Rivera - Brazilian Fantasy (arr. by Daniel Freiberg): No. 3. Um a zero (Pixinguinha & Benedito Lacerda)
  4. George Gershwin - Rhapsody No. 2, for Piano and Orchestra
  5. Paquito D'Rivera - The elephant and the clown
  6. George Gershwin - Strike up the band: Ouverture (orch. by Don Rose)
  7. George Gershwin - Girl Crazy: Ouverture
  8. George Gershwin - Of Thee I Sing: Ouverture (orch. by Don Rose)
  9. George Gershwin - Rhapsody in Blue, for Piano and Orcherstra (orch. by Ferde Grofe)

Wayne Marshall, piano & conductor
Paquito D'Rivera, clarinet
Andy Miles, saxophone
WDR Funkhausorchester

Date: 2020
Label: CAvi-music

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Review

Wayne Marshall has always occupied a niche between jazz and classical music, while extremely accomplished in both genres. He's recorded solo keyboard jazz work, and is also one of the world's finest classical organists. For the last 10 years he has been chief conductor of the WDR Funkhuasorchester in Cologne.

This CD – whose title is a slight misnomer, as four tracks are Paquito D’Rivera's compositions – is his farewell to the orchestra as he resumes his solo career. And the CD itself sits between jazz and classical music, with the most overtly jazz-orientated material coming in D’Rivera's ‘Brazilian Fantasy’, featuring the composer on clarinet, and arranged by pianist Daniel Freiberg. D’Rivera's gorgeous tone is at its best on the opening ‘Corcovado’, ushered in by the sumptuous tenor of Andy Miles. Then comes a set of Gershwin overtures, more jazz source material than jazz itself, with ‘Girl Crazy’ the best of the three. But it is Marshall's own pianism on ‘Rhapsody in Blue’ (in the 1927 Grofé arrangement for Paul Whiteman) and – even better – the ‘Rhapsody No. 2 for Piano and Orchestra’ that brings the disc to life. I have a soft spot for the composer's own 78 of ‘Rhapsody in Blue’ (with Whiteman) and grew up with that and the Bernstein Columbia SO version. It is fair to say that Marshall is somewhat less romantic than either. But his energetic, nay dazzling, reading of the ‘Rhapsody No 2’ is worth the price of the disc alone.

-- Alyn Shipton, Jazzwise

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Wayne Marshall (born 13 January 1961) is an English pianist, organist, and conductor. He is Chief Conductor of WDR Funkhausorchester in Cologne, Germany, and Organist and Associate Artist of the Bridgewater Hall, Manchester. He became Principal Guest Conductor of Orchestra Sinfonica di Milano Giuseppe Verdi in 2007, and is a celebrated interpreter of George Gershwin, Leonard Bernstein, and other 20th-century American composers. Marshall has recorded extensively for numerous major labels and received an Echo Music Prize (formerly Deutscher Schallplattenpreis) for his Gershwin Songbook CD.
https://en.wikipedia.org/wiki/Wayne_Marshall_(classical_musician)
http://waynemarshall.com/

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