Ermanno Wolf-Ferrari - Complete Overtures & Intermezzi (Friedrich Haider)

Information

Composer: Ermanno Wolf-Ferrari

1. Le donne curiose: Overture
2. I quatro rusteghi: Prelude
3. I quatro rusteghi: Intermezzo
4. Il Segreto di Susanna: Overture
5. I gioielli della Madonna: Festa popolare
6. I gioielli della Madonna: Intermezzo I
7. I gioielli della Madonna: Serenata
8. I gioielli della Madonna: Danza napolitana
9. L'amore medico: Overture
10. L'amore medico: Intermezzo
11. La dama boba: Overture
12. Il campiello: Preludio
13. Il campiello: Intermezzo
14. Il campiello: Ritornello

Oviedo Filarmonía

Friedrich Haider, conductor

Date: 2023

Label: Naxos

https://www.naxos.com/CatalogueDetail/?id=8.660385

----------------------------------------------------------------------------

Review

Recordings of Wolf-Ferrari’s operas have come my way for reviews a couple of times (here & here), the latest as recently as less than three years ago. And now comes a third, which seems to confirm my presumption in the previous review that there may be a Wolf-Ferrari renaissance on its way. Wolf-Ferrari can with some justification be counted to the verismo school and he was younger than either of the others. Though he was a skilled composer he was also the least personal of the group, but he was quite successful as an opera composer, especially in the early 20th century with works like Le donne curiose (1903), I quatro rusteghi (1906) and Il segreto di Susanna (1909). The latter was his greatest success and it has also been recorded several times.

The plot is rather simple. Gil one day comes home and the room smells of tobacco. He suspects that his wife Susanna has a lover. He speaks to her about it and Susanna finally admits that she has a secret but doesn’t want to tell him what it is. When Gil leaves the house she takes out a cigarette from a hidden packet and she and the servant smoke together. That’s her secret. When Gil comes home again she hides the cigarette in her hand. Gil tries to take her hand and gets burned. Everything is revealed, they forgive each other and decide to smoke together ever after. As a non-smoker I’m not particularly pleased by the moral, but of course this was 110 years ago. Bearing this in mind it is anyway an entertaining comedy and there are some musical gems, in particular the orchestral Intermezzo (tr. 9), which is the best-known music in the opera. Susanna has a charming arietta (tr. 10) and a longer aria (tr. 13). The overture is also a spirited opening, and no one hearing it can have doubts about this being a comedy. The dialogue is most carried forward in a melodious parlando, but occasionally it develops into arioso. Both singers are excellent and Àngel Òdena is very expressive – a true singing actor – while Judith Howarth shines in her solos. Friedrich Haider, who has championed Wolf-Ferrari’s music for many years, leads a spirited performance. The recording of the opera was previously released in 2006 by Philartis in Vienna. I have long treasured a Decca recording from 1976, conducted by Lamberto Gardelli and with Maria Chiara and Bernd Weikl as soloists, but it doesn’t seem to be available separately, only as part of a large boxed set.

The quite substantial filler, Serenade for strings, was written in 1893 by a 17-year-old Wolf-Ferrari, who certainly was precocious. It is well-crafted with a spirited allegro followed by a beautiful andante, a witty scherzo and a lively finale, everything excellently played by the Oviedo Filarmonia. At Naxos’ affordable price no one should be disappointed with this issue.

-- Göran Forsling, MusicWeb International

----------------------------------------------------------------------------

Ermanno Wolf-Ferrari (January 12, 1876 – January 21, 1948) was an Italian composer and teacher. He is best known for his comic operas such as Il segreto di Susanna (1909). As well as his operas, Wolf-Ferrari wrote a number of instrumental works, mainly at the very beginning and very end of his career. He also wrote Idillio-concertino (essentially a chamber symphony), various pieces of chamber music. Wolf-Ferrari's work is not performed very widely although he is generally thought of as probably the finest writer of Italian comic opera of his time. His works often recall the opera buffa of the 18th century.
https://en.wikipedia.org/wiki/Ermanno_Wolf-Ferrari

***

Friedrich Haider (born 7 November 1961) is an Austrian conductor and pianist. He is a graduate of the Anton Bruckner Private University Linz and the University of Music and Performing Arts Vienna. Haider had his debut in 1984 and, after various stations as an assistant, developed a repertoire at mainly smaller opera houses, which today comprises more than 60 titles and combines the most diverse subjects and styles. From 2004 to 2011, he principal conductor of the Oviedo Filarmonia in northern Spain, with which he performed 30 concert programmes and gave guest performances in Madrid, Tokyo and Paris.

https://en.wikipedia.org/wiki/Friedrich_Haider

https://www.friedrichhaider.com/en/home/

----------------------------------------------------------------------------

FLAC, tracks

Links in comment

Enjoy!