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Sunday, October 15, 2023

Leonard Bernstein; William Bolcom - The Age of Anxiety; Piano Concerto (Marc-André Hamelin)


Information

Composer: Leonard Bernstein; William Bolcom
  • Bernstein - The Age of Anxiety 'Symphony No. 2'
  • Bolcom - Concerto for piano and large orchestra

Marc-André Hamelin, piano
Ulster Orchestra
Dmitry Sitkovetsky, conductor

Date: 2000
Label: Hyperion

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Review

A fine coupling of two American works for piano and orchestra that sees Marc-Andre Hamelin in typically sparkling form

After Hamelin’s fantastic virtuosity in the outrageously difficult Godowsky Studies on Chopin’s Etudes (Hyperion, 5/00) these two works for piano and orchestra are – for him – the merest bagatelles. But this is an impressive release since it contains the most convincing recent account of Bernstein’s Symphony No 2 (1949) I have come across, benefiting from a richer sound than Kahane under Litton.

The whole piece is Bernstein’s obsessive response to Auden’s poem The Age of Anxiety, published the year before, about four characters struggling to sort themselves out in New York City. Even though Auden apparently disliked it, I increasingly hear Bernstein’s Symphony as saturated with the poem, its ideas and atmosphere. Often programmatic, it represents a particularly original approach to piano and orchestra and is personal in countless ways – the gentleness of the soft opening and its mystical descending scale, the precisely engineered variations, memorable tunes, a splendid jazzy Scherzo and so on. Hamelin and the Ulster Orchestra in fine form under Sitkovetsky deliver a well-paced and cogent performance right up to the deliberately inflated, optimistic ending.

Bolcom is one of the most idiosyncratic American composers of the next generation. His 1976 Piano Concerto draws widely on various types of popular music, which he has always performed so superbly. The Concerto was written in memory of Bolcom’s teacher, Milhaud, who would have loved it. The opening movement is captivatingly serene until the blue notes get out of hand; the slow movement is more stable and serious; but the finale comes over as a riotous celebration of Americana. Unfortunately Bolcom intended it to be ironic as a kind of anti-bicentennial tribute. But tunes like these have a habit of occupying centre stage on their own terms. Hamelin is again utterly scrupulous and idiomatic and delivers all the musical styles with supreme confidence – nobody could have mixed them up like Bolcom.

-- Peter Dickinson, Gramophone

More reviews:
ClassicsToday  ARTISTIC QUALITY: 9 / SOUND QUALITY: 9

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Leonard Bernstein (August 25, 1918 – October 14, 1990) was an American composer, conductor, author, music lecturer, and pianist. He was among the first conductors born and educated in the US to receive worldwide acclaim. His fame derived from his tenure as the music director of the New York Philharmonic, his concerts with most of the world's leading orchestras, and his composition. As a composer he wrote in many styles encompassing symphonic and orchestral music, ballet, film and theatre music, choral works, opera, chamber music and piano. He also gave numerous television lectures on classical music.
http://en.wikipedia.org/wiki/Leonard_Bernstein

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William Bolcom (born May 26, 1938 in Seattle, Washington) is an American composer and pianist. He studied with Darius Milhaud at Mills College, with Leland Smith at Stanford University, and with Olivier Messiaen at the Paris Conservatoire. Bolcom has received the Pulitzer Prize, the National Medal of Arts, a Grammy Award, the Detroit Music Award and was named 2007 Composer of the Year by Musical America. He taught composition at the University of Michigan from 1973 until 2008. As a pianist, Bolcom has performed and recorded frequently with Joan Morris, whom he married in 1975.

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Marc-André Hamelin (born September 5, 1961 in Montreal, Quebec) is a Canadian virtuoso pianist and composer. Hamelin is recognized worldwide for the originality and technical brilliance of his performances of the classic repertoire. He has made recordings of a wide variety of composers with the Hyperion label. He is well known for his attention to lesser-known composers especially of the late nineteenth and early twentieth century and for performing works by pianist-composers. Hamelin has also composed several works, including a set of piano études in all of the minor keys.
http://en.wikipedia.org/wiki/Marc-André_Hamelin

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